Lioness' Elizaveta Neretin on Playing a Ukrainian Double Agent & Working with Taylor Sheridan (2026)

The Complexities of Identity and Loyalty: A Deep Dive into 'Lioness' and Oleksandra Balakin

When I first heard about Elizaveta Neretin’s role as Oleksandra Balakin in Lioness, I was immediately intrigued. Not just because of the show’s topical exploration of Russia’s war in Ukraine, but because of the unique lens through which Neretin approaches her character. Personally, I think what makes this particularly fascinating is how Neretin, who is half Russian and half Ukrainian, navigates the intricate identity of a Ukrainian double agent. It’s not just a role—it’s a reflection of real-world tensions, and that’s what makes it so compelling.

One thing that immediately stands out is Neretin’s willingness to lean into the discomfort of her character. In one scene, Oleksandra takes offense at being called “Russian” as an insult. For Neretin, this wasn’t just acting—it was personal. She draws from her own family’s experiences and the pain of those affected by the conflict. What many people don’t realize is how deeply actors like Neretin invest themselves in their roles, especially when the material hits so close to home. This isn’t just storytelling; it’s a form of emotional labor that demands respect.

From my perspective, the relationship between Oleksandra and Joe McNamara (Zoe Saldaña) is the heart of the show’s tension. Joe recruits Oleksandra against her will, and while there’s a mutual respect, there’s also judgment. What this really suggests is that loyalty and morality are rarely black and white in the world of espionage. Oleksandra’s methods as a Honeypot are controversial, yet Joe recognizes her status and influence. If you take a step back and think about it, this dynamic mirrors the complexities of real-world geopolitics—alliances are fragile, and trust is always conditional.

A detail that I find especially interesting is how Neretin created Oleksandra’s backstory herself. Taylor Sheridan trusted her to flesh out the character’s history, and this speaks volumes about the collaborative nature of storytelling. It’s not just about following a script; it’s about bringing personal truth to the role. Neretin’s backstory for Oleksandra—a father who died fighting, brothers who are soldiers—adds layers to the character that make her more than just a plot device. She becomes a symbol of resilience and sacrifice.

This raises a deeper question: What does it mean to be a double agent in a world where identities are constantly contested? Oleksandra’s journey is not just about espionage; it’s about survival and the choices people make when their lives are on the line. Personally, I think the show does an excellent job of humanizing her, even as she operates in a morally gray area. Her reluctance to be recruited, her willingness to sacrifice her family’s safety—these are not the actions of a villain but of someone trapped in circumstances beyond her control.

What makes Lioness stand out, in my opinion, is its ability to tackle topical issues without sacrificing character depth. The war in Ukraine is not just a backdrop; it’s a driving force that shapes every decision the characters make. Neretin’s performance, in particular, is a masterclass in subtlety. She doesn’t need to overact to convey Oleksandra’s inner turmoil—it’s all there in her eyes, her posture, her silence.

As the season progresses, the question of who Oleksandra truly works for becomes increasingly central. I’m not going to spoil anything, but I will say this: the ambiguity is intentional. It forces the audience to question their own assumptions about loyalty and betrayal. What this really suggests is that in the world of Lioness, no one is entirely who they seem, and that’s what makes it so gripping.

In conclusion, Lioness is more than just a spy thriller—it’s a meditation on identity, loyalty, and the human cost of conflict. Neretin’s portrayal of Oleksandra Balakin is a testament to the power of nuanced storytelling. From my perspective, it’s one of the most thought-provoking shows on television right now. If you haven’t watched it yet, I highly recommend it. Just be prepared to question everything you think you know about right and wrong.

Lioness' Elizaveta Neretin on Playing a Ukrainian Double Agent & Working with Taylor Sheridan (2026)
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